588 posts tagged Electronic
Swirling synths in a variety of forms take on chameleon like qualities shaping Aberdeen’s brightest rising star Lockah, aka Tom Banks’ savagely inventive sound. Humming chugs of lofty bass marry with pitched vocal loops cascading into jungle-inspired beats. This menagerie of genres and concept sounds are then swirled together in a steaming pot of thick and chunky beats ready to elevate any mood.
The stalwart label head of emerging bass outfit, Tuff Wax, and playing a large part in the emerging scene in his hometown of Aberdeen, Banks is pushing more than just a new sound in 2013. Lockah’s music unearths new territories, blending an epic movie score quality with forward thinking production and a wildly creative style, landing him on labels like Mad Decent’s Jeffrees, Skrillex’s OWSLA, and most recently, on bass music trendsetting label, Donky Pitch.
One of the fascinating aspects of Banks’ music is his ability to elicit melodies out of heavy-handed synth, sparse techno beats and trembling glistens of effects, all of which create the most strangely fantastic pop ballads. Best Fit set out to find out where the young producer’s influences lie, what his new EP Only Built For Neon Nights is really about and if it’s possible to ever have too much synth.
Read my interview with Tom after the jump!