Read my recent interview with LA’s weirdest hip-hop trio, clipping.
clipping. is one of those bands that it feels wrong to describe as “a band” but at the same time it feels just as strange to call them a “rap group.” They’re a noise project as much as they’re a hip-hop trio, making some of the wildest beats in the game. Accomplished sound engineers with the utmost regard for popular music, yet with an unwillingness to make music any other way than exactly the way they want to.
Regardless of how you choose to categorise them, what they’re making is authentic. Authentic in the sense that the music that results stems from a genuine love of experimentation, the creative process and the often agonizing details that go along with it. The mad scientists of modern music, blasting away at 12-bar progressions with a blowtorch then using the most detailed of craftsmanship to wield golden era inspired beats that crackle and pop in all the right places. The perfect balance of calculated exploration, while still allowing for those beautiful mistakes to seep through, clipping’s June 10th release is one of the most charmingly subversive albums of the year.
As the band unveils a live stream of their forthcoming Sub Pop debut, Best Fit took some time to sit down with the guys and find out what makes them tick. From their painstakingly methodical musique-concrète techniques, to making weird music that’s still accessible, working with Three 6 Mafia, and the evolution of their live show, the Los Angeles trio introduces us to their disturbingly unique take on music, it’s clipping (bitch).